How did you get into your art/craft?
I am self-taught on the machine but I have always hand knit, so understanding and developing work on a knitting machine was not too much of a stretch. I fell into machine knitting after a career in developing printed and silhouettes for womenswear collections. I felt knitting had a certain warmth and vitality as a physical object and I wanted to pursue that. After finding and restoring a number of Swiss hand flat vintage knitting machines from the 1940’s and 1950’s, a process I really enjoyed, I began to develop swatches and full collections on the machines. Ever since that first machine I have really enjoyed the physical process of knitting on such wonderful pieces of equipment.
What do you love most about your process?
That I make 3D objects out of yarn, which is essentially a long line of twisted fibre. Amazing!
How has your practice changed over time?
My work has gotten simpler and more functional over time. I cram less ideas into one piece.
What inspired you to become a craftsperson/artist?
I have always been interested in making and building having come from a long line of craftspeople (basketmakers, violin makers, knitters, weavers and clockmakers!). I was always drawing and working with colour in some form.
What is your favourite childhood memory?
Walking the dogs through poppy fields in England with the family. I always collected acorns, wild grasses and chestnuts on my walks.
If you could be any character from any novel, who would you be? Why?
Bathseba Everdeen from Far from the Madding Crowd. Although her character lived in 1874, she followed her gut, she made mistakes and she made bold choices. She was one of the first fictional characters I could identify with.
What do you like to listen to when you work?
Movie soundtracks and composers (Hans Zimmer and Ennio Morricone), industrial electronica and shoegaze.
Where do you turn for inspiration?
Colour wise I'm very influenced by my everyday and immediate surroundings so the colours in my garden and seasonal changes are places that inspire me. With knitting inspiration I look to the 1940’s and 1970’s for patterns and ideas. I also have a great deal of vintage knitting magazine from the 20’s to 50’s which I return to often.
Tell us about your workspace/studio.
My studio looks a bit like a car mechanic garage and a yarn shop combined. It is very spare and full of light. When I was a child my dad had a clockmaking studio in a restored 15th century horse stable and Ive always gravitated towards a space with character and light.
Where can you be found when you're not in your studio?
At the record store, going for walks, spending time with my son, and growing veggies in the garden. Music and the outdoors are my jam.